“Todd and I were sitting around and suddenly we started talking about these great old ’70s car movies,” he says, “like Dirty Mary Crazy Larry and Vanishing Point.
#DRIVE ANGRY MOVIE SONG MOVIE#
Lussier wanted to shoot another movie in 3-D after My Bloody Valentine-though “not one of those shitty post-conversion jobs”-and started trading story ideas with Drive cowriter Todd Farmer. So I really became fascinated in that way, and then one thing led to another.” She would just fill me in on all these horrific details, and I would just be mesmerized by it. “Like Race With the Devil-which is one of the inspirations for Drive Angry-and then movies like the The Parallax View and things like that. “My sister, who was older than me, would go to the horror movies and she would come back and tell me all about them,” he recalls. He got into horror as a kid, reading Stephen King’s Salem’s Lot, but back then he wasn’t allowed to watch scary flicks. Whatever he picked up at college continues to pay off, as Lussier’s name has also been attached to such future fear projects as Halloween 3 and the remake of Clive Barker’s Hellraiser, for which he’s currently writing a script. “They told me I had no future in the movie industry. “I tried to get into the SFU film school and they wouldn’t let me,” he says with a laugh over the phone from his office in L.A. Hough ( is Vague Visages’ founding editor.Back when he graduated from Burnaby Central High School, though, and set his sights on a film career, Lussier didn’t always get the postsecondary encouragement he might have deserved. Lori (Cassandra Violet) sings a cover of the 1985 single. He listens to a recording that his wife made for his birthday in the past.
The Pig soundtrack song plays as he roams around. “Black Veil” by Roseblood (00:21:00): Rob arrives at a bar.
Amir drives and listens to a man discuss the staying power of classical music.
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