Briggs won't outright divorce the franchise from its more sexualized past, but he doesn't list it as one of its core pillars, either. They have more women involved in making them, more eyes keeping things in check, feminist critics and the wider public to consider thanks to social media. A lot of it is downright embarrassing, but it shouldn't be forgotten. We want to lean into those things and present this more relatable version of Lara Croft."Īnd perhaps that's instructive-the history of Lara Croft and Tomb Raider is also a story about how mainstream video games have seen the women portrayed in them, if they were portrayed at all. We want to make her relatable, we want to make her human, we want to show that there are a lot of things that make her attractive-like all the other things we were talking about before. "What we focused on with Rise of the Tomb Raider and the overall reboot was that there are a lot of other parts to Lara Croft. Her physicality was a part of the character that people identified with in some of the classic games, and some people still consider that a part of the character," Briggs said.
That is a part of what Lara Croft means to some people. Those are the pillars upon which Tomb Raider stands, to use a bit of video game nomenclature.īut what about those sex-symbol years? Does the studio find them embarrassing now? He lists the character traits that Crystal Dynamics views as essential to the character: Her brilliance in the field of archaeology, her athleticism in both exploration and combat, her conviction and willpower. "I think there are core traits of Lara Croft that just appeal to everybody," Rich Briggs, Brand Director of Crystal Dynamics, said in an interview with GQ earlier this month. The team at Crystal Dynamics billed this Lara as a survivor, a smart, talented, and skilled woman thrust into a horrible disaster and rises up to save her friends and crew from mercenaries and the supernatural forces they disrupt.
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Barring a few spin-offs, the Tomb Raider franchise went dormant following Underworld as Crystal Dynamics staged a more ambitious and complete reboot, one that fully embraced the ethos of modern game design-which favored big open spaces that players were free to roam at will and find secrets in-and completely rebuilt Lara Croft from the ground up. This is where the modern Lara Croft was born. Legend was followed by Tomb Raider: Anniversary in 2007, a remake of the original game, and Tomb Raider: Underworld, a 2008 game that served as a direct sequel to Legend and saw a more subdued critical response. But regardless of how fans felt about the rebooted Croft, the game she appeared in-2006's Tomb Raider: Legend-was also one of the most acclaimed since the character's debut. Lara Croft was significantly redesigned the decision to reduce her breast size was, believe it or not, met with pages and pages of debate on online forums. Similarly, Crystal Dynamics' first three Tomb Raider games are transitional works.
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It's one of the most storied series in video game history, one that's unique in that it's also a means by which you can examine the ways games culture has shifted and grown over the past twenty years, from the jocular boys' club of those early previews to the more inclusive and progressive space it's been morphing into ever since games have become more mainstream pursuits. Out this month, Rise of the Tomb Raider: 20 Year Celebration offers a new and improved version of last year's Rise of the Tomb Raider, the second game in a newly rebooted and critically acclaimed Tomb Raider franchise that began in 2013. This week, Lara Croft and Tomb Raider, celebrate their 20th anniversary, and things couldn't be more different. This is how video game enthusiasts greeted Tomb Raider: By noticing its central character had tits. "There's a new girl on the block who's making your adventures seem like a cub scout jamboree! Her name's Lara, and she's got a much cuter butt." The article was heralding the Australian arrival of what was one of the biggest Western game releases of 1996, a game that was trumpeted stateside in the August 1996 issue of Sega Saturn Magazine under the headline "Bikini Babes With Guns," despite the fact that no bikinis appear in the game it featured. "Step aside, Indiana Jones," read the Summer 1997 issue of The Official Australian Playstation Magazine.
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